Book XXIII
16 dishes with recipes / Tasting
My work is immaterial and often manifests digitally within political, administrative, and institutional contexts. Structures such as applications, publications, and policy documents do not function as representational media, but as artistic material. I activate them within their own logic and procedures, allowing the conditions under which meaning, legitimacy, and value are produced to become visible and negotiable.
I consider art to be an operative field that influences perception, thought, and action. The work emerges when systems respond: when processes falter, language begins to friction, or decision-making must reposition itself. The intervention lies not only in the act itself, but also in the institutional response it provokes, such as adaptation, friction, legitimation, marginalization, or reformulation. These responses form the material through which the work continues to develop.
The practice is not aimed at confirmation or illustration, but at expansion: opening perspectives, making implicit assumptions explicit, and revealing mechanisms that are often presented as neutral or self-evident within institutional contexts. Disruption can be a means, but it is never an end in itself.
My artistic vision develops through analysis and performativity in text and image. Concepts such as value, valuation, understanding, and impact are not treated as neutral goals, but as constructions that determine what becomes visible, legitimate, and thinkable. In my work, these concepts are not affirmed but examined and shifted.
The work moves from reflection toward performativity and explicitly addresses networked and institutional environments. This shift is the result of research, writing, experimentation, and the deliberate positioning of the work outside traditional forms of presentation. In this way, the work functions not as an autonomous artefact, but as an intervention within existing structures and processes.
Entrepreneurship is not a peripheral condition but a substantive component of the practice. I initiate the contexts in which the work takes place and create the conditions within which it can circulate and produce effects. Reach, visibility, and appreciation are therefore not steering objectives, but elements of the institutional language field on which the work intervenes.